The Interestings

February 4, 2013
In the “nefarious, thoroughly repulsive” summer of 1974, 15-year-old Julie Jacobson, “an outsider and possibly even a freak” from the suburbs, gets a scholarship to an arts camp and falls in with a group of kids—the aptly self-named “Interestings.” Talented, attractive, and from New York City, to Julie they are “like royalty and French movie stars.” There Julie, renamed Jules, finds her place, and Wolitzer her story: the gap between promise and genuine talent, the bonds and strains of long friendships, and the journey from youth to middle age, with all its compromises, secrets, lies, and disparities. One member of the group, Jonah, is the son of a famous folk singer, and another, Ethan, becomes an extremely successful animator, and another Interestings member whose brother-in-law is accused of raping a girl in the group, flees his court date and disappears. Meanwhile, Jules, the character Wolitzer focuses on, becomes a therapist, marries a nice guy with no interest in being as “interesting” as her camp friends, and copes with jealousy and not having enough money in New York City. While Wolitzer (The Ten-Year Nap) is adept at switching between past and present, and showing the different fears that dog Jules at different ages, the problem is that the Interestings are never quite as interesting as this 464-page look at them requires them to be. Agent: Suzanne Gluck, WME Entertainment.

Starred review from February 1, 2013
Wolitzer (The Uncoupling, 2011) follows a group of friends from adolescence at an artsy summer camp in 1974 through adulthood and into late-middle age as their lives alternately intersect, diverge and reconnect. Middle-class suburban Julie becomes Jules when a group of more sophisticated kids from Manhattan include her in their clique at Camp Spirit-in-the-Woods in upstate New York. Her lifelong best friend becomes beautiful Ash, an aspiring actress. Ash's older brother is sexy bad-boy Goodman. Cathy, who wants to dance, becomes Goodman's girlfriend. Jonah, the ethereally handsome, slightly withdrawn son of a famous folksinger, is musically gifted. And then there is Ethan: homely, funny and a brilliant cartoonist. Although he and Jules are immediately soul mates, she rejects his physical advances, unable to work up any sexual attraction. After this first idyllic summer, the novel cuts to 2009 when Jules, now living a modest middle-class life as a therapist married to a medical technician, receives her annual Christmas letter from Ethan and Ash, who are married and wildly successful. As she looks back, the reader follows the evolution of the group. While still in high school, Cathy and Goodman break up in disastrous fashion; they both disappear from the group but not without causing permanent repercussions. For one thing, to Jules' surprise, Goodman's grieving sister Ash and Ethan become an unlikely but devoted couple. Jonah, who evolves as the inevitable sympathetic gay character in a novel tracing social mores through the last decades of the 20th century, gives up music for engineering. Ash becomes a feminist director and marries Ethan, the true genius of the group, who experiences major creative and financial success with his long-running animated series. Jules, who has given up acting to become a therapist and has married sweet but unambitious Dennis, tries not to envy her friend's success. Secrets are kept for decades among the six "Interestings"; resentments are nursed; loyalties are tested with mixed results. Ambitious and involving, capturing the zeitgeist of the liberal intelligentsia of the era.

COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.

November 15, 2012

In a March 2012 story in the New York Times Book Review, Wolitzer argued persuasively that fiction by women and particularly the subject matter often associated with women--the edgy, delicate give and take of human relationships--continue to be disparaged by men. So let's consider her latest novel. Jules hasn't made it as an actress, but her two closest buddies, now married to each other, have hit gold artistically and financially. Jules broods while hating that she broods. Money, power, envy, ambition, artistic vying--what's for a man not to like? With an online writing-group guide.

Copyright 2012 Library Journal, LLC Used with permission.

February 15, 2013
In that self-obsessed, hyperaware, and mordantly ironic way of privileged teens, Ethan, Jonah, Cathy, Ash, and her brother Goodman dub themselves The Interestings when they reconvene at their trendy creative-arts summer camp in the Berkshire Mountains. Jules, n'e Julie, Jacobson is both flattered and flabbergasted to be admitted into their little enclave, where she uses her sardonic wit to compensate for a lack of beauty, money, or social graces. To her surprise, golden-girl Ash adopts her as her best friend, while the dorky but brilliant Ethan becomes mired in unrequited love. After a tragedy affects two of their members in very different ways, the remaining group slogs their way into adulthood, embarking upon careers and relationships with varying degrees of success and satisfaction. Despite being rooted in a wealth of pop-cultural references, from Nixon's resignation to the Moonies to Wall Street scandals and even the aftermath of 9/11, Wolitzer's clique of narcissistic friends turns out to be not so interesting after all.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)

Starred review from June 24, 2013
In the 1970s, six artistic, creative, confused teenagers bond at a summer camp for the performing arts. Over the ensuing decades, their friendship and identities are tested by the ups and downs of life: career successes and spectacular failures, secrets and jealousies and betrayals, life-threatening illness, and a crime that makes one of them a fugitive. Jen Tullock gives a tour de force performance, creating authentic, distinct voices for each and every major character—both their insecure, stammering teenage versions and their more mature, adult incarnations—as well as the supporting cast, including an Icelandic camp employee, two Moonies who recruit one of the friends into the cult, and a grizzled Vietnam veteran. Tullock is especially impressive during heart-to-heart conversations or angry arguments, flipping effortlessly back and forth between character voices and, more importantly, conveying each character’s passionate, heartfelt point of view. This is a must-listen performance. A Riverhead hardcover.

February 1, 2013

Wolitzer's (The Uncoupling) latest novel follows a group of creative types from the beginning of their friendship as teenagers through middle age. Hipsters before their time, they dub themselves The Interestings, in an effort at pretentious irony, with only group member Julie Jacobson truly believing that they are quite interesting. While two members of the group go on to find success in their artistic pursuits, others like Julie give up the dream and resign themselves to raising families and nine-to-five careers. VERDICT The novel skips back and forth, revealing information about each member of the group and covering their triumphs and tragedies over the course of the years. Ultimately, the work hits its own ironic note: Julie's successful and creative friends are far more normal than she'd ever realized. This is certain to attract readers of literary and smart women's fiction. [See Prepub Alert, 10/22/12.]--Mara Dabrishus, Ursuline Coll. Lib., Pepper Pike, OH

Copyright 2013 Library Journal, LLC Used with permission.